Cygnet Committee
Named after a little-known song from Bowie's Space Oddity album, Cygnet Committee were formed in January 1987 to introduce a new face to what they believed was "Hamilton's dying music scene". The original line-up was Sean Lynch (vocals, acoustic guitar), Adrian Scott a.k.a Adrian Webclaw (bass), Tony Mephisto a.k.a Tony Davys (guitar, effects) and Daniel Allen (drums).
All but Allen remained in the group throughout, with numerous changes behind the drumkit at first. He became the drummer for Requiem and was replaced by Tara Watt; Paul Tregilgas was reputedly rejected only to go on to become a well known drummer in Hamilton. Finally, Rik O'Kane became the most permanent drummer to play with the group.
A second guitarist Dave Whitehead was also recruited from Requiem in 1988, completing the Committee's "definitive" 5-piece line-up. Whitehead also became the band's producer, engineering all their recordings. Notable recordings included the gargantuan gothic grind of Corpse (which effectively became the band's "theme song"), the short-sharp blast of snot-infested punk-noise known as Skag and the epic "Apocalyptic Folk" anthem City.
They played the University of Waikato's Orientation in 1988, and supported The Chills later that year at the Hillcrest Tavern.
With their swapping of various members and playing live together often, Cygnet Committee and Requiem formed the collective known as Terror Couple. In 1989 Terror Couple produced Hamilton's first compilation, of the same name. The name Terror Couple was derived from a song by early UK gothic band Bauhaus, and was also a reference to the love of Horror (Terror) exhibited by the Two Bands (Couple).
With these "schlock horror" overtones culled from the genres of gothic, punk, glam, metal and deathrock, both Cygnet Committee and Requiem were soon seen to be the spear-head of a "dark" movement in Hamilton music, which also later included Book of Martyrs and The Haunting, among others.
Cygnet Committee had a theatrical element to their performances. Frontman Sean Lynch was heavily involved in drama at the time and his stage performances and melodramatic vocal style were often compared to the camp histrionics of Ziggy-period Bowie, and Bauhaus frontman Peter Murphy.
Live Review (from defunct Auckland 'zine Monitor):
26/07/89 at The Gluepot (Auckland), with Book of Martyrs and Watershed
"..the Cygnet Committee experience was like stepping into a weird dream where Peter Murphy meets Ziggy, they tango a while (great tangoing - can that guy move or what?) and it all gets very arty. Ten out of ten for consistent stage act..."
- Sasha Diamond
One band-member was also a theatrical lighting technician which was utilised to good effect in the band's shows, and they often favoured performances in theatres rather than conventional pubs and music venues. Other performances at Auckland's Gluepot are well-remembered, one such event involving an actor as a "zombie" who wandered on stage to have his "brains" eaten with spoons by members of the band during the song Brain Music. A young woman in the audience (thought to have been tripping) was so convinced by the horrific sight that she ran on stage hysterically assaulting band members in an attempt to liberate the poor cannibalised zombie.
They disbanded around 1990/'91 (?).
- Sean Lynch played trumpet in Hand of Glory, and later went to Melbourne and focused primarily on theatre. He has more recently returned to Hamilton and is a member of Conway.
- Co-founder/songwriter and bassist Adrian Scott (Webclaw) later played in and collaborated with many bands, projects and artists including Swamp Goblin, Wendyhouse, Raleigh 20, Emit Snake Beings, The Webclaw Four/For/Flaw and solo project Frottage.
- Tony Davys (Mephisto) ran Highlights, the only Hamilton "alternative" venue in the early 1990s.
- Rik O'Kane played alongside Adrian Scott in both Swamp Goblin and Raleigh 20.
- Dave Whitehead and Dave Lowndes transformed Terror Couple into Theta Productions (early-mid '90s), and co-founded Gas.
