Editing Max Christoffersen

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''Christoffersen'' acted as a director of ''Contact 89FM Ltd.'' in the late 1990s, and made an unsuccessful bid to buy the station prior to its sale and closure.
 
''Christoffersen'' acted as a director of ''Contact 89FM Ltd.'' in the late 1990s, and made an unsuccessful bid to buy the station prior to its sale and closure.
  
Christoffersen later went on to establish [[Max FM]], Hamilton's first NZQA recognised radio school at The Waikato Institute of Technology ([[Wintec]]). Max FM carried on where Contact FM left off focusing on student centered services and a music playlist that featured a 'new school - old school' rock format and a range of specialist music programmes.
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Christoffersen later went on to establish Max-FM, Hamilton's first NZQA recognised radio school at The Waikato Institute of Technology (Wintec). Max-FM carried on where Contact FM left off focusing on student centered services and a music playlist that featured a 'new school - old school' rock format and a range of specialist music programmes.
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Max-FM became Hamilton's first student station to web-cast and provide total listener interactivity through the station's playlist being available to listeners at www.maxfm.co.nz 
 
   
 
   
 
In January 2009 Christoffersen launched Kiss-FM 88.1 at Mt Maunganui. The rock music format first explored on The Axe Attack in the 1980s was revisted at Kiss-FM with dedicated progressive rock programmes and the 'The Late Shift' providing Mount Maunganui with the 'hardest nightly rock radio show in New Zealand.' The station was designed as a musical gateway for local musicians and was welcomed by local musicians who had struggled to gain airtime in the Bay.
 
In January 2009 Christoffersen launched Kiss-FM 88.1 at Mt Maunganui. The rock music format first explored on The Axe Attack in the 1980s was revisted at Kiss-FM with dedicated progressive rock programmes and the 'The Late Shift' providing Mount Maunganui with the 'hardest nightly rock radio show in New Zealand.' The station was designed as a musical gateway for local musicians and was welcomed by local musicians who had struggled to gain airtime in the Bay.

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