Editing The Fridge Studio

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Producer John Pattenden would use the on air mics and console to record and mix the station IDs, adverts and stings. With plans to go full-time in 1987, the need for a dedicated production studio space became crucial to any attempt to go on air all day.  
 
Producer John Pattenden would use the on air mics and console to record and mix the station IDs, adverts and stings. With plans to go full-time in 1987, the need for a dedicated production studio space became crucial to any attempt to go on air all day.  
  
Christoffersen's successful lobbying for the extra Cowshed space, lead to the establishment of Contact's offices. Plans were then developed for a production studio due to the extra Cowshed space now available to the station.  
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Christoffersen's successful lobbying for the extra Cowshed space, lead to the establishment of Contact's offices and plans were developed for a production studio due to the extra Cowshed space now available to the station.  
  
 
The increasing floor space in the Cowshed that was now dedicated to Contact-FM did not go unnoticed at the NEXUS offices next door. In the NEXUS End of Year Awards 1986, Contact was given the 'Brierley's Award for Sudden Success and Expansion', a tongue in cheek award picked up by Waikato Times reporter John Drinnan in his story about Contact's first year on FM. The Times story also noted the plans for the production studio to come the following year.
 
The increasing floor space in the Cowshed that was now dedicated to Contact-FM did not go unnoticed at the NEXUS offices next door. In the NEXUS End of Year Awards 1986, Contact was given the 'Brierley's Award for Sudden Success and Expansion', a tongue in cheek award picked up by Waikato Times reporter John Drinnan in his story about Contact's first year on FM. The Times story also noted the plans for the production studio to come the following year.

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