Editing Cygnet Committee
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''Belami'' was replaced on bass by [[Adrian Scott]] (a.k.a [[Adrian Webclaw]]), and after that all but ''Allen'' remained in the group throughout, with several changes behind the drumkit. ''Allen'' became the drummer for [[Requiem]], and was replaced by [[Tara Watt]]; [[Paul Tregilgas]] was reputedly rejected only to go on to become a well respected Hamilton drummer. Finally, [[Rik O'Kane]] became the most permanent drummer to play with the group.<br> | ''Belami'' was replaced on bass by [[Adrian Scott]] (a.k.a [[Adrian Webclaw]]), and after that all but ''Allen'' remained in the group throughout, with several changes behind the drumkit. ''Allen'' became the drummer for [[Requiem]], and was replaced by [[Tara Watt]]; [[Paul Tregilgas]] was reputedly rejected only to go on to become a well respected Hamilton drummer. Finally, [[Rik O'Kane]] became the most permanent drummer to play with the group.<br> | ||
− | [[Image:Cygnet1.jpg|thumb|left|''Tony | + | [[Image:Cygnet1.jpg|thumb|left|''Tony Davies, Sean Lynch and Adrian Scott''; photo by Kiri Speirs]] A second guitarist [[Dave Whitehead]] was recruited from [[Requiem]] in 1988, completing the Committee's "definitive" 5-piece line-up. ''Whitehead'' also became the band's producer, engineering all their recordings. Notable recordings included the gargantuan gothic grind of ''Corpse'' (which effectively became the band's "theme song"), the short-sharp blast of snot-infested punk-noise known as ''Skag'' and the epic "Apocalyptic Folk" anthem ''City''.<br> |
They played [[the University of Waikato]]'s Orientation in 1988, and supported ''The Chills'' later that year at the [[Hillcrest Tavern]]. <br> | They played [[the University of Waikato]]'s Orientation in 1988, and supported ''The Chills'' later that year at the [[Hillcrest Tavern]]. <br> |