Editing Clinton

From HtownWiki
Jump to: navigation, search

Warning: The database has been locked for maintenance, so you will not be able to save your edits right now. You may wish to copy and paste your text into a text file and save it for later.

The administrator who locked it offered this explanation: Dumping Database, Access will be restored shortly

The edit can be undone. Please check the comparison below to verify that this is what you want to do, and then save the changes below to finish undoing the edit.
Latest revision Your text
Line 1: Line 1:
Clinton was a sometimes controversial Htown music zine, published from late 1999 till 2001. For a list of individual Clinton issues and scans, please see [[:Category:Clinton Issues|Clinton Issues]].
+
Clinton was a sometimes controversial Htown music zine, published from late 1999 till 2001.
  
[[image:10front001.jpg|left|thumb|Issue 10, showcasing the early style and logo]]
 
 
==The Early History==
 
==The Early History==
  
 
Started by future NZ Musician writer [[Emma Philpott]], Clinton's very first issue was printed on a single sheet of folded up A4 paper, and came out in November 1999. Virtually a solo effort for the first couple of issues, Clinton was notable for being a zine that didn't focus on the punk/hardcore scenes, and was (at first) fairly apolitical. From around the third issue, [[Emma Philpott|Emma]] was joined in producing the now eight A5 page (2 sheets of A4 stapled and folded) zine by [[Jed]], [[Amy]], and [[Dan Duran]] whom were all members of noise-pop band [[SophieXEnola]] at the time, and [[Ben]]. Clinton was produced using photycopying generously provided by Bill of [[Hindsight CDs]]. Clinton enjoyed a following in the Hamilton music scene as an entertaining (and most importantly, free) way to follow gigs, gossip and goings on.  
 
Started by future NZ Musician writer [[Emma Philpott]], Clinton's very first issue was printed on a single sheet of folded up A4 paper, and came out in November 1999. Virtually a solo effort for the first couple of issues, Clinton was notable for being a zine that didn't focus on the punk/hardcore scenes, and was (at first) fairly apolitical. From around the third issue, [[Emma Philpott|Emma]] was joined in producing the now eight A5 page (2 sheets of A4 stapled and folded) zine by [[Jed]], [[Amy]], and [[Dan Duran]] whom were all members of noise-pop band [[SophieXEnola]] at the time, and [[Ben]]. Clinton was produced using photycopying generously provided by Bill of [[Hindsight CDs]]. Clinton enjoyed a following in the Hamilton music scene as an entertaining (and most importantly, free) way to follow gigs, gossip and goings on.  
 
[[Image:Clintfu2028.jpg|thumb|right|Clinton was briefly popular with the mainstream press]]
 
  
 
Up until issue ten, the majority of the material was written by the five above, and usually put together by [[Emma Philpott|Emma]]. As the group weren't widely known amongst the Htown music crowds of the time (all being teenagers whom had only just acquired the rights to go to bars, bar [[Jed]]), Clinton was able to push any buttons the writers wanted to without fear of backlash. Within two months of beginning, Clinton was already banned from [[JBCs]], one of the only regular live venues of the time, for an article slamming coffee and jazz culture - two of [[JBCs]]' main revenue flows. Sticking to their goal of promoting Hamilton music however, the group decided to continue promoting the bar's gigs regardless.
 
Up until issue ten, the majority of the material was written by the five above, and usually put together by [[Emma Philpott|Emma]]. As the group weren't widely known amongst the Htown music crowds of the time (all being teenagers whom had only just acquired the rights to go to bars, bar [[Jed]]), Clinton was able to push any buttons the writers wanted to without fear of backlash. Within two months of beginning, Clinton was already banned from [[JBCs]], one of the only regular live venues of the time, for an article slamming coffee and jazz culture - two of [[JBCs]]' main revenue flows. Sticking to their goal of promoting Hamilton music however, the group decided to continue promoting the bar's gigs regardless.
Line 14: Line 11:
 
==The Middle Ages==
 
==The Middle Ages==
  
After issue #17, [[Dan Duran]] took over production of Clinton, as the others' enthusiasm had waned a little since its beginnings. One of the first desicions he made proved to be perhaps the thing for which Clinton is best remembered, for better or worse - the publication of an anonymously submitted damning article on [[UFM]], its staff and culture ([[Clinton Issue 19|Issue 19]]).
+
After issue #17, [[Dan Duran]] took over production of Clinton, as the others' enthusiasm had waned a little since its beginnings. One of the first desicions he made proved to be perhaps the thing for which Clinton is best remembered, for better or worse - the publication of an anonymously submitted damning article on [[UFM]], its staff and culture.
  
The article, received a month earlier, was published with all identifying information blacked out; but to those in the know, the targets in the article were obvious.  
+
The article, recieved a month earlier, was published with all identifying information blacked out; but to those in the know, the targets in the article were obvious.  
[[image:Clintfu027.jpg|thumb|left|When [[Clinton]] changed logo temporarily to imitate ''[[Fusion]]'']]
+
 
Afterwards, a short break was taken to let the dust settle (during which [[Mark Tupuhi]] published an unauthorised issue of Clinton (#21), largely based around the adventures of Dolf de Datsun's bass guitar), and Clinton resumed publication with issue #22 (recognising Tupuhi's rogue issue as canon), concentrating on covering the 2000 [[Battle of the Bands]] and [[Band Experiments]] competitions. These competitions would usually be held on a Thursday night, at which [[Dan Duran]] would get horribly inebriated, solicit opinions from others, take notes of his own, and generally make stuff up. The next morning, hungover like hell, he'd try and make sense of the notes, piece together an article, print it off on the Macs at WINTEC, trudge over to [[Hindsight CDs]], copy it, distribute it, walk home and go back to sleep.
+
After a short break to let the dust settle (and the unauthorised publication of the hilarious issue #21 by [[Mark Tupuhi]], largely based around the adventures of Dolf de Datsun's bass guitar) Clinton resumed publication, concetrating on covering the 2000 [[Battle of the Bands]] and [[Band Experiments]] competitions. These competitions would usually be held on a Thursday night, at which [[Dan Duran]] would get horribly inebriated, solicit opinions from others, take notes of his own, and generally make stuff up. The next morning, hungover like hell, he'd try and make sense of the notes, piece together an article, print it off on the Macs at WINTEC, trudge over to [[Hindsight CDs]], copy it, distribute it, walk home and go back to sleep.
  
 
Just prior to the commencement of the [[Battle of the Bands]], [[UFM]] management decided that any band who entered the [[Band Experiments]] would not be allowed to take part in the Battle Of the Bands, which was happening around the same time. This lead to the farcical situation where bands were entering both anyway, but using a fake band name for one of the competitions. Clinton's response was to slam UFM, and publish a cover with an army of droids from ''Episode 1: The Phantom Menace'', bearing the initials 'UFM' on their chests.
 
Just prior to the commencement of the [[Battle of the Bands]], [[UFM]] management decided that any band who entered the [[Band Experiments]] would not be allowed to take part in the Battle Of the Bands, which was happening around the same time. This lead to the farcical situation where bands were entering both anyway, but using a fake band name for one of the competitions. Clinton's response was to slam UFM, and publish a cover with an army of droids from ''Episode 1: The Phantom Menace'', bearing the initials 'UFM' on their chests.
Line 26: Line 23:
 
==The Decline and Fall Of==
 
==The Decline and Fall Of==
  
Clinton continued publication into 2001 a little less regularly than before, and a little less anarchically. Highlights of this later period included an ongoing cartoon satire on Linkin Park and the mainstream music industry from [[Tonamu]], slightly higher production qualities and a more consistent focus on Hamilton music news and events.
+
Clinton continued publication into 2001 a little less regularly than before, and a little less anarchically. Eventually the zine ended production quietly in mid 2001, after 54 issues.
 
+
Eventually the zine ended production quietly in mid 2001, after 54 issues. The [[Hamilton Music A-Z]] which had begun in Clinton lived on in the pages of [[Nexus]].
+
  
 
In the early days, it was suggested that one day Clinton would return, as ''Clintron''. To date, this has not occured.
 
In the early days, it was suggested that one day Clinton would return, as ''Clintron''. To date, this has not occured.
  
 +
''This article is yet to be completed.''
  
 
[[category:zines]]
 
[[category:zines]]

Please note that all contributions to HtownWiki may be edited, altered, or removed by other contributors. If you do not want your writing to be edited mercilessly, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource (see HtownWiki:Copyrights for details). Do not submit copyrighted work without permission!

To edit this page, please answer the question that appears below (more info):

Cancel | Editing help (opens in new window)